I bought a Chris de Burgh compilation in Tesco last week, for a fiver. I was like a dog with two mickeys at the checkout. I knew it was disgusting, but I was delighted with myself. "Promise not to play it at home" Andrew said. "Or in the car, if I'm with you". He was trying to sound all reasonable and commanding but it came out with a slight whiff of wheedle. Please don't ruin our marriage. So I made a solemn promise, remembering EnyaGate. I love Enya. He hates Enya like I hate Wilco, and we had something approximating a row one recent evening when I didn't take his dislike of her quite seriously enough and assaulted him with a YouTube playlist of 40 of her greatest hits. "I thought you were cool" he says to me "all name-dropping minimalist Japanese electronica on your blog". People let shit slide when they get married. They stop shaving their pits and waxing their bits and they fart at the dinnertable. I play bad music.
This Chris album though, it feels like fate. We were in Slatterys last weekend for a quiet pint when, through five glasses of wine and some distracting conversation, I heard a familiar lyric call its come hither to me through the speakers. Well a railwayman lay dying with his people by his side. His family were crying, knelt in prayer before he died... I waited til the chorus, til the Devil let out his mighty shout, to make sure it wasn't just the drink and the heat getting to me. Nobody else seemed to have noticed. "Listen" I pipsqueaked "they're playing..." but the others were engrossed in some adult conversation I'd lost the thread of, so excited was I to hear the song, so I took out my phone instead. THEY'RE PLAYING CHRIS IN THE PUB! I texted to Gimme, all in caps, my hands sweaty with excitement. "And not Lady in Red either" I added "it's the one about playing poker with the devil". And then I sat watching my phone expectantly, waiting for the small-moments magnificence of a Chris de Burgh song being played in Slatterys of a Saturday night to be celebrated or at least acknowledged with a reply. It wasn't.
We stopped for chips on the way home. We sat down at the kitchen table to eat them and I fired up the laptop, a gleam in my eye that had nothing to do with fried potatoes and salt. Andrew's suspicions were immediately aroused. Whatever ardour he may have brought home from the pub was immediately dampened, however, as the rock-opera stylings of Chris' Spanish Train warbled from the computer. I tried explaining to him about how they'd played it in the pub and nobody'd noticed and and and and "here" I said "listen! It's fucking brilliant!" and then I went on to sing the nah nah nah nah nah nah naaaaah nah chorus of A Spaceman Came Travelling even though we were still listening to Spanish Train because I always mix the two of them up, before lining up Ship to Shore and The Last Time I Cried on You Tube to see if I couldn't tempt him over to the dark side. At which point he reminded me of the Enya incident and I felt the first stirrings of Sunday's hangover, so I shut down the computer and we went to bed.
Gimme replied to my text a day later, when I was wading through the winey hangover. "I can't believe you didn't instantly know its name. It's a title track. What's the matter with you? Also, what pub?" Stung by the rebuke, I resolved to rekindle my relationship with Chris and illegally download an album (my collection was all on tape) next chance I got. Luckily for his estate, Tesco's offer that selfsame week proved too tempting. I got it home, excitedly tore the cellophane off to pore over the sleeve notes and was delighted to see that they included one of those tick-the-box join-the-fanclub inserts that you send off to a promotions company in Leamington Spa. I hadn't seen one of those in years. "Look!" I squealed, waving it at Andrew. "You promised..." he said.
And so I haven't listened to it yet. I'll keep my promise not to make Andrew enjoy it with me. I could have listened to it in the car, but I haven't gotten around to it. Mainly because I keep forgetting to take it with me in the mornings when I'm driving to work and anyway there's always the off chance that I might have to give a colleague a lift somewhere and I'd forget that it was in the player and then lose all the cred I've painstakingly collected by making them listen to obscure shows about Texan music and doo-wop on 2XM instead of endless hours of Mumford and Sons farting away on Phantom. And anyways, I'm saving it. I want to dance around to it in my knickers and sing my tuneless little face off, getting all the lyrics wrong and thinking that these must be new versions because the lyrics are just ridiculous and I remember them as resonant and meaningful.
Tonight was to be The Night; Andrew was to go out to poker and I was planning an evening of glorious self-abuse with Chris and Buffy. Alas, Andrew's laid up in bed with a cold and I'm sat here, telling Conan Drumm and the rest of the internets what my plans were for this evening, before real life and real love intervened. Instead I'll hoover the cat, cook us some dinner, write a crazy post about reliving my childhood lust for getting High on Emotion and then curl up on the bed beside Andrew's sleeping bulk and snotty tissues and sleep until it's Friday.
This Chris album though, it feels like fate. We were in Slatterys last weekend for a quiet pint when, through five glasses of wine and some distracting conversation, I heard a familiar lyric call its come hither to me through the speakers. Well a railwayman lay dying with his people by his side. His family were crying, knelt in prayer before he died... I waited til the chorus, til the Devil let out his mighty shout, to make sure it wasn't just the drink and the heat getting to me. Nobody else seemed to have noticed. "Listen" I pipsqueaked "they're playing..." but the others were engrossed in some adult conversation I'd lost the thread of, so excited was I to hear the song, so I took out my phone instead. THEY'RE PLAYING CHRIS IN THE PUB! I texted to Gimme, all in caps, my hands sweaty with excitement. "And not Lady in Red either" I added "it's the one about playing poker with the devil". And then I sat watching my phone expectantly, waiting for the small-moments magnificence of a Chris de Burgh song being played in Slatterys of a Saturday night to be celebrated or at least acknowledged with a reply. It wasn't.
We stopped for chips on the way home. We sat down at the kitchen table to eat them and I fired up the laptop, a gleam in my eye that had nothing to do with fried potatoes and salt. Andrew's suspicions were immediately aroused. Whatever ardour he may have brought home from the pub was immediately dampened, however, as the rock-opera stylings of Chris' Spanish Train warbled from the computer. I tried explaining to him about how they'd played it in the pub and nobody'd noticed and and and and "here" I said "listen! It's fucking brilliant!" and then I went on to sing the nah nah nah nah nah nah naaaaah nah chorus of A Spaceman Came Travelling even though we were still listening to Spanish Train because I always mix the two of them up, before lining up Ship to Shore and The Last Time I Cried on You Tube to see if I couldn't tempt him over to the dark side. At which point he reminded me of the Enya incident and I felt the first stirrings of Sunday's hangover, so I shut down the computer and we went to bed.
Gimme replied to my text a day later, when I was wading through the winey hangover. "I can't believe you didn't instantly know its name. It's a title track. What's the matter with you? Also, what pub?" Stung by the rebuke, I resolved to rekindle my relationship with Chris and illegally download an album (my collection was all on tape) next chance I got. Luckily for his estate, Tesco's offer that selfsame week proved too tempting. I got it home, excitedly tore the cellophane off to pore over the sleeve notes and was delighted to see that they included one of those tick-the-box join-the-fanclub inserts that you send off to a promotions company in Leamington Spa. I hadn't seen one of those in years. "Look!" I squealed, waving it at Andrew. "You promised..." he said.
And so I haven't listened to it yet. I'll keep my promise not to make Andrew enjoy it with me. I could have listened to it in the car, but I haven't gotten around to it. Mainly because I keep forgetting to take it with me in the mornings when I'm driving to work and anyway there's always the off chance that I might have to give a colleague a lift somewhere and I'd forget that it was in the player and then lose all the cred I've painstakingly collected by making them listen to obscure shows about Texan music and doo-wop on 2XM instead of endless hours of Mumford and Sons farting away on Phantom. And anyways, I'm saving it. I want to dance around to it in my knickers and sing my tuneless little face off, getting all the lyrics wrong and thinking that these must be new versions because the lyrics are just ridiculous and I remember them as resonant and meaningful.
Tonight was to be The Night; Andrew was to go out to poker and I was planning an evening of glorious self-abuse with Chris and Buffy. Alas, Andrew's laid up in bed with a cold and I'm sat here, telling Conan Drumm and the rest of the internets what my plans were for this evening, before real life and real love intervened. Instead I'll hoover the cat, cook us some dinner, write a crazy post about reliving my childhood lust for getting High on Emotion and then curl up on the bed beside Andrew's sleeping bulk and snotty tissues and sleep until it's Friday.

